Comments on: Continuous Lighting; The Pro’s best kept secret: Part 1 http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/ Photography by Andrew Rodgers Sun, 23 Oct 2011 03:07:31 +0000 hourly 1 By: acedrew http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-76 acedrew Mon, 30 May 2011 11:59:51 +0000 http://blog.perfectedperspectives.com/?p=63#comment-76 Oh yeah, you might want to try to fill in the missing spectrum by filling with a strobe. Strobe emit light in a black body form, with an even color distribution (from the cameras perspective.) Oh yeah, you might want to try to fill in the missing spectrum by filling with a strobe. Strobe emit light in a black body form, with an even color distribution (from the cameras perspective.)

]]> By: acedrew http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-77 acedrew Mon, 30 May 2011 11:56:46 +0000 http://blog.perfectedperspectives.com/?p=63#comment-77 It sounds like the bulbs you're using have a missing chunk in the color spectrum. Reds are not one of the strong points of fluorescent lamps, which is the explanation for the missing purples... I would try a few different things. The cheapest is in post processing, bump the reds/purples a little.  You also might want to try a different manufactures lamp. Make sure you get one that is obviously different from the ones you have, as many times, it's just one manufacture making them, and they're being sold as a lot of different brands. You might even consider throwing an incandescent lamp into the mix, as that should warm the blues quite a bit. Let me know how it works out! It sounds like the bulbs you're using have a missing chunk in the color spectrum. Reds are not one of the strong points of fluorescent lamps, which is the explanation for the missing purples… I would try a few different things. The cheapest is in post processing, bump the reds/purples a little.  You also might want to try a different manufactures lamp. Make sure you get one that is obviously different from the ones you have, as many times, it's just one manufacture making them, and they're being sold as a lot of different brands. You might even consider throwing an incandescent lamp into the mix, as that should warm the blues quite a bit. Let me know how it works out!

]]> By: Guitar builder http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-75 Guitar builder Mon, 30 May 2011 07:17:32 +0000 http://blog.perfectedperspectives.com/?p=63#comment-75 Hello,<br><br>I'm guitar builder. I shoot my Owen product. I use a nikon D700 and<br>A 24x70 f2.8 lens, britek continuos 5500k lighting.<br><br>I am having a hard time with rendering purples, they come out blue. I use the white balance. What would be the best continuos lighting to use? Help..... Hello,

I'm guitar builder. I shoot my Owen product. I use a nikon D700 and
A 24×70 f2.8 lens, britek continuos 5500k lighting.

I am having a hard time with rendering purples, they come out blue. I use the white balance. What would be the best continuos lighting to use? Help…..

]]> By: acedrew http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-70 acedrew Mon, 30 May 2011 04:59:51 +0000 http://blog.perfectedperspectives.com/?p=63#comment-70 Oh yeah, you might want to try to fill in the missing spectrum by filling with a strobe. Strobe emit light in a black body form, with an even color distribution (from the cameras perspective.) Oh yeah, you might want to try to fill in the missing spectrum by filling with a strobe. Strobe emit light in a black body form, with an even color distribution (from the cameras perspective.)

]]> By: acedrew http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-71 acedrew Mon, 30 May 2011 04:56:46 +0000 http://blog.perfectedperspectives.com/?p=63#comment-71 It sounds like the bulbs you're using have a missing chunk in the color spectrum. Reds are not one of the strong points of fluorescent lamps, which is the explanation for the missing purples... I would try a few different things. The cheapest is in post processing, bump the reds/purples a little.  You also might want to try a different manufactures lamp. Make sure you get one that is obviously different from the ones you have, as many times, it's just one manufacture making them, and they're being sold as a lot of different brands. You might even consider throwing an incandescent lamp into the mix, as that should warm the blues quite a bit. Let me know how it works out! It sounds like the bulbs you're using have a missing chunk in the color spectrum. Reds are not one of the strong points of fluorescent lamps, which is the explanation for the missing purples… I would try a few different things. The cheapest is in post processing, bump the reds/purples a little.  You also might want to try a different manufactures lamp. Make sure you get one that is obviously different from the ones you have, as many times, it's just one manufacture making them, and they're being sold as a lot of different brands. You might even consider throwing an incandescent lamp into the mix, as that should warm the blues quite a bit. Let me know how it works out!

]]> By: Guitar builder http://blog.perfectedperspectives.com/2009/continuous-light-secrets-1/comment-page-1/#comment-69 Guitar builder Mon, 30 May 2011 00:17:32 +0000 http://blog.perfectedperspectives.com/?p=63#comment-69 Hello,<br><br>I'm guitar builder. I shoot my Owen product. I use a nikon D700 and<br>A 24x70 f2.8 lens, britek continuos 5500k lighting.<br><br>I am having a hard time with rendering purples, they come out blue. I use the white balance. What would be the best continuos lighting to use? Help..... Hello,

I'm guitar builder. I shoot my Owen product. I use a nikon D700 and
A 24×70 f2.8 lens, britek continuos 5500k lighting.

I am having a hard time with rendering purples, they come out blue. I use the white balance. What would be the best continuos lighting to use? Help…..

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